Minimum Effort, Maximum Output, the debut memoir by Bhavini Kalaria

Bhavini Kalaria published her debut memoir, Minimum Effort, Maximum Output, earlier this year. A contemplation on grief and loss, the book tells the story of the year after her husband died, and how she survived. We were privileged to find out more about her remarkable journey.


1. Can you tell readers a bit about yourself and what you do for a living?

I am a solicitor, specialising in resolving disputes. My professional life revolves around helping clients navigate the legal system and it’s often demanding processes. It often requires both analytical thinking and empathy.

2. How did you come to write this book?

After my husband passed away in 2022, I found that the process of writing helped me immensely in processing my grief and making sense of what had happened. I wanted to find a way to record his memory and give voice to my own experience. The book started organically and evolved, sometimes with and sometimes outside of my own grief. It became a channel through which I could both feel and examine my emotions and keep his memory alive.

3. What was the process of writing the book like?

The process was cathartic and sometimes demanding. It required me to take a step back from it, especially when it became a piece of work designed to allow others to consider their own grief and loss. Writing served as both a healing tool and a way of learning to carry my grief.

4. What were the challenges you faced in writing the book?

The biggest challenge I faced was how to order the book so that it had a coherent flow. Structuring the narrative in a way that made sense to readers while still honouring my personal journey through grief was a delicate balance to achieve. It was a pleasure working with The Book Edit team to structure the book, and to ensure that there was still a creative and narrative arc to the story telling. I found their help and advice invaluable.

5. How has the process of getting the book published been for you?

I have loved the process of publishing—figuring out how the book will look and how to make it beautiful and accessible. It was important to me that the book was something my husband would have appreciated. The entire experience of bringing the book to life was fulfilling and exciting.

6. What advice would you give to others who are looking to self-publish their work?

I found a very helpful website, Publish Yourself, which guided me through the essentials of self-publishing. Before starting, I had no idea about the need to register the book, send it to the British Library, or how to market it. My book is a limited run, and I chose to share it in intimate settings with people and communities for whom the subject of loss and grief is relevant. My advice to others is to thoroughly research the self-publishing process and understand the various steps involved to avoid being overwhelmed.

7. How does it feel to know you have completed this project and you have a book to show for it?

It feels amazing. There is something truly exciting about holding a finished book in your hands, knowing it encapsulates a part of your journey and can potentially touch others who read it.

8. What are you working on now?

I am currently working on a thriller, which is very different from my previous book. It’s a fictional piece, much longer, with a complicated plot. This new project comes with its own set of challenges, particularly regarding structure, which has always been a tough part for me.

9. Anything else you'd like us to know about your writing process and future ambitions?

I feel like I am just beginning to understand my process and learning what works for me. I often take long breaks and come back to my writing with renewed energy, leading to intense periods of activity. Looking ahead, I hope to continue exploring different genres and refining my craft, always aiming to create works that resonate deeply with readers.

Author. Bhavini Kalaria

Thank you, Bhavini. For more about Bhavini and her work, visit her website here. And to buy a copy of her beautiful book, visit here.

Katharine Light shortlisted for the Selfies 2024

Delighted to discover that Katharine Light has been shortlisted for the 2024 Selfies Book Awards for her debut novel, Like Me.

Launched by BookBrunch in 2018 to recognise excellence in the self-publishing market, the awards are sponsored by Ingram's self-publishing platform, IngramSpark®, and are run in association with the London Book Fair and Nielsen BookData.

The winners will be announced at this year’s London Book Fair on Tuesday 12 March.

Also on the adult fiction shortlist with Katharine are Shooters by Julia Boggio, Ostler by Susan Grossey, Hidden Depths by Jason Mann, Darcy: A Pride and Prejudice Variation by Alice McVeigh, The Eagle and The Cockerel by Alan Rhode and
Artificial Wisdom by Thomas R Weaver.

To find out more about Katharine’s path to publication, read her story here.

Congratulations to Katharine and all the shortlisted writers. We look forward to hearing more next week!

Spotlight on 2023’s Book Edit Writers’ Prize Shortlisted Novelists

Continuing our series of spotlights on 2023’s Book Edit Writers’ Prize shortlist, this week we hear from Jenni Brooks and Ramya Julian.

Jenni Brooks' short fiction and poetry has been published in The Paul Cave Prize for Literature Anthology and Streetcake Magazine. Her spoken-word film 'Women and Autism', won the Best Professional Short Film, in the National Autistic Society’s Autism Uncut Awards, hosted at BAFTA. She is currently working on her first short story collection, Autism-Friendly Mom Jeans for Adult Women and a novel, Teggies.

Contact: brooksjenni434@gmail.com

Teggies is a novel about 12-year-old Keziah, who tells the story of how she became sex-trafficked to a necrophiliac client she is waiting for. The client is prepared to pay Keziah’s pimp £100,000 to rape and kill her. Keziah, however, has a plan to escape. She has stored a mobile in her vagina, and has been instructed by fellow victim, Lucia, to call for help, once he is on the way. 

Author, illustrator, and dentist, Ramya Julian wrote her first novel when she was ten. She says it was very well-received, though it was read only by her brother. When she’s not guilt-tripping her daughters into good behaviour, she can be found devouring books, crafting poems, and chuckling at her own witticisms. She grew up in India and now lives in London. She has experienced so much joy through the artistry of many creators, that she aspires to share at least some of it through her writing. Read more at www.ramyajulian.com

Malathi

Malathi, a twenty-year-old aspiring physicist, agrees to an arranged marriage with Prasad. However, struggling academically and facing discord with Prasad while grappling with the complexities of a large family, she flees. Malathi finds solace in building the school in her grandmother’s village, Malliyoor, until tragedy strikes. However, Prasad and his sister, initially at odds, join forces with her. Together, they create the change required in this tale of family, growth, and love.

Congratulations, Jenni and Ramya! We hope you enjoyed their readings as much as we did.

Next week, we’ll hear from more of our shortlisted writers so watch this space!

Want to find our more about what we offer at the Book Edit, from editing to mentoring to consulting on every aspect of publishing, including self-publishing? Hit the button below and we will get back to you with more information.

Living Inside Raindrops: Luke Butler on his path to publication

Luke Butler’s debut novel Living Inside Raindrops

Luke Butler’s debut novel Living Inside Raindrops

When Luke Butler chose to work with The Book Edit, we were thrilled. Passionate about his subject and a born storyteller, it was clear he had huge potential. We were very happy to hear news of his publishing deal and delighted when he agreed to tell us more about his path to publication.

Living Inside Raindrops: On the Road to Publication by Luke Butler

“Writing can often be the easy part, it’s just you and your subjective assessment of your own work. It is what follows that can be all so difficult. 

I started writing as a form of therapy. I lost my dad suddenly at a young age and subsequently, and somewhat subconsciously, this event threaded its way into my debut novel: Living Inside Raindrops

Spanning four years; a proposal, a marriage, a house move and the birth of my first child, the book was ready for the world. Or so I thought.

At completion, I believed I had created a great paean for generations of readers and scholars to dissect and debate, the apotheosis of my life thus far. Then I opened the door. Knowing very few avid readers, I discovered The Book Edit.

Feedback is as essential to the process as having ink in your pen. It shone light on my novel as readable art, not just a journey in my head. After receiving my developmental edit from The Book Edit, I was challenged and I adapted my work dramatically. Yet another year passed, but this time I was actually ready for the world to have my book. 

The romanticism to be published always outweighed my inclination to self-publish. Partly due to a fantastical belief someone else could share a passion in my novel, and partly because having a printed paperback copy in a dusty bookshop, one that could live on beyond my own lifetime, was an ideal too great to forgo. It also somewhat naively puts you amongst titles created by your great idols and predecessors.

So, with self-publishing on the back burner, I purchased the latest edition of the Writers' and Artists' Yearbook and spent nights making a shortlist spreadsheet of all those with an interest in Historical Fiction, as well as those willing to take unsolicited material. Given my book was set during WW1 I thought up the notion of emailing my shortlisted publishers and agents as the clock chimed 11:11.

Having prepared my individually personalised query letters, along with the first three chapters (where requested) I sent the emails out in unison, subtly referencing in each one that 11:11 had been a constant haunting reminder for me over the years to complete my manuscript!

Another naïve belief I had at the time was that given I am a filmmaker (I run my own company; Nirvana Studios), I could awe publishers with the book trailer I had created, blinding over my writing faults. I must have sent fifty or more selective emails across the course of that week, prepared for the rejection and often templated denunciations that I would soon receive. 

  


Days, weeks and months past and my spreadsheet was mostly covered in red rows of rejection and amber rows glinting with promise (those who had responded and requested my full manuscript). I gave thanks for every returned email because I imagined the sheer number of they must sieve through each and every day. 

Standing out from the noise is tough but it only takes a subjective receiver to be hooked, just like the reason you started writing in the first place. 

The day finally came when three of those amber rows were turned green and I had an interest from direct publishers. They were not the household names writers fantasise about, plastering their book cover across platform billboards, nevertheless they were three publishers with an interest in printing copies of my book. 

I received the necessary paperwork and opted for the publisher I felt most passionate and best suited to settle my marketing and distribution requirements – they had specified all the major bookshops, and this immediately turned my eyes rosy! 

During this time, I joined the Society of Authors who helped dissect my contract and ease my rights of screenplay concerns. Coming from a background in video and largely writing my manuscript with a cinematic head, this was an important factor for me.

I couldn’t yawp from higher rooftops how accommodating and flexible The Book Guild were throughout the publication process. They were true to every word, from allowing me to submit my own cover artwork, to distributing my title across WaterstonesFoylesAmazonWHSmiths, and many more independent bookshops around the country! 

I still have to pinch myself most mornings, when I receive messages from friends and family members who are physically holding copies of my book. My Book, usually read against rain mizzled windows or sun soaked poolsides, far removed from the therapy sessions of five years ago when I administered myself a daily dose of writing!”


An insider's guide to self-publishing

A few years back, I was lucky enough to teach a young writer called Remy Salters, then a student on the Novel Studio at City. Remy was always a very talented writer with a fascinating story to tell so when I heard he'd got an agent, I wasn't surprised. A publishing deal was just a matter of time, or so I thought. 

But for Remy, as for so many talented first-time authors out there, this didn't happen. The book was rejected by traditional publishers leaving him with some tough choices. Rather than give up, Remy began investigating alternative routes to publications. Here's his story.

"I began my novel, Butterfly Ranch, as part of the City's Novel Studio a few years ago. After several full drafts and lots of workshops with fellow writers, I got to a stage where I was able to secure an agent. This was invaluable, as the book underwent a couple more crucial rewrites with her advice. In the end, though, we failed to place the book with the agent‘s targeted imprints, and so I moved on to other projects. However, as time passed, I realised that I had unfinished business. Butterfly Ranch needed to 'live‘ regardless. This is when I decided to self-publish.
 
My first idea was to get the book typeset and a cover done by a designer friend, then publish on Amazon CreateSpace as an e-book and paperback on demand, and promote via social media. CreateSpace is a convenient system and the design was the easy part. Now for the promotion...Without releasing the book, I became more active on Facebook and Twitter for several months, but I eventually concluded that converting social media interaction into meaningful readership, as a complete unknown, required more investment in time than I could spare, and a long-term active role in a multitude of online communities. In my case, social media could help and enhance, but not be the only channel.
 
So I searched for a publicist. I was in touch with several, but always came away with a feeling that there is little interest in self-published authors (or rather interest in their cash, not their title). That was until I came across Matador, who describe themselves as a 'partner publisher‘ – i.e. you finance the design, production and/or marketing/PR of your book, but they advise, project-manage and promote. I have been impressed by this solution. I have had freedom in choosing the level of support I want, while feeling safe in the knowledge that whatever I choose will be delivered professionally and I can reach out for a real publisher‘s advice."

Remy's choice seems to have paid off. After a successful book blog tour last month, Butterfly Ranch has just won the International Rubery Award for fiction 2018 and Chill With A Book Reader's award 2018. As Seth Godin says, don't wait to be picked, pick yourself. Congrats, Remy!